
Paz ErrĂĄzuriz: Survey
Chilean photographer Paz ErrĂĄzuriz began taking photographs in the 1970s during the Pinochet dictatorship, and in subsequent decades traveled extensively to document the landsape and people of her native country. Throughout her dedicated practice, ErrĂĄzuriz became intimate with not only her home city, Santiago, but also Chileâs central valley, Patagonia, and ValparaĂso, forming long-lasting relationships with her many subjects. Her commitment to her subjects is steadfastâshe is known for spending months or years within a given community, building trust and carefully studying social structures. During the dictatorship her projects were in violation of the regulations imposed by the military regime, as she dared to visit underground brothels, shelters, psychiatric wards, and boxing clubs, where women were not welcome. In Paz ErrĂĄzuriz: Survey, over 170 photographs are compiled for the first time, resulting in a retrospective publication spanning over forty years. In the words of author Gerardo Mosquera, âthe spaces explored in ErrĂĄzurizâs photosâbeyond the striking personalitiesâreveal an extreme aesthetic that also exposes the potholes and irregularities left in the path of modernization. Her work consistently focuses on the social marginality that continues to plague the country, thereby capsizing Chileâs image of buoyancy by intuitively penetrating the contradictionsâthe innumerable cracks and fissuresâthat persist to this day.â
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$17.80Paz ErrĂĄzuriz: Survey
Chilean photographer Paz ErrĂĄzuriz began taking photographs in the 1970s during the Pinochet dictatorship, and in subsequent decades traveled extensively to document the landsape and people of her native country. Throughout her dedicated practice, ErrĂĄzuriz became intimate with not only her home city, Santiago, but also Chileâs central valley, Patagonia, and ValparaĂso, forming long-lasting relationships with her many subjects. Her commitment to her subjects is steadfastâshe is known for spending months or years within a given community, building trust and carefully studying social structures. During the dictatorship her projects were in violation of the regulations imposed by the military regime, as she dared to visit underground brothels, shelters, psychiatric wards, and boxing clubs, where women were not welcome. In Paz ErrĂĄzuriz: Survey, over 170 photographs are compiled for the first time, resulting in a retrospective publication spanning over forty years. In the words of author Gerardo Mosquera, âthe spaces explored in ErrĂĄzurizâs photosâbeyond the striking personalitiesâreveal an extreme aesthetic that also exposes the potholes and irregularities left in the path of modernization. Her work consistently focuses on the social marginality that continues to plague the country, thereby capsizing Chileâs image of buoyancy by intuitively penetrating the contradictionsâthe innumerable cracks and fissuresâthat persist to this day.â
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Chilean photographer Paz ErrĂĄzuriz began taking photographs in the 1970s during the Pinochet dictatorship, and in subsequent decades traveled extensively to document the landsape and people of her native country. Throughout her dedicated practice, ErrĂĄzuriz became intimate with not only her home city, Santiago, but also Chileâs central valley, Patagonia, and ValparaĂso, forming long-lasting relationships with her many subjects. Her commitment to her subjects is steadfastâshe is known for spending months or years within a given community, building trust and carefully studying social structures. During the dictatorship her projects were in violation of the regulations imposed by the military regime, as she dared to visit underground brothels, shelters, psychiatric wards, and boxing clubs, where women were not welcome. In Paz ErrĂĄzuriz: Survey, over 170 photographs are compiled for the first time, resulting in a retrospective publication spanning over forty years. In the words of author Gerardo Mosquera, âthe spaces explored in ErrĂĄzurizâs photosâbeyond the striking personalitiesâreveal an extreme aesthetic that also exposes the potholes and irregularities left in the path of modernization. Her work consistently focuses on the social marginality that continues to plague the country, thereby capsizing Chileâs image of buoyancy by intuitively penetrating the contradictionsâthe innumerable cracks and fissuresâthat persist to this day.â











